Tuesday, April 15, 2014

RoboCop

TAKE 1: One Mans Opinion
…because film is largely subjective

 by Frederick William Springer III
RoboCop
Release Date:  12 February 2014                                                               Runtime:  117 Minutes  
Review Date:  15 April 2014                                                                      Rating:  3 (of 6)
 
     No nostalgia attached, not having seen the original since it first made its way to cable TV nearly 30 years ago and no significant memory of it persisting, the thing that made me interested in the new version of RoboCop was the return of Michael Keaton to the screen.  Luckily, his time there wasn't some brief cheesy cameo--he played a significant part--but, even so, it wasn't that exciting.
     That could be said for the movie as a whole.  In fact, the movie would be more aptly named "OmniCorp" rather than RoboCop, as the film's focus was more on the former than the later.  In that regard, Michael Keaton may have even had more face time than Joel Kinnaman's title character, or at least it felt close to it, which is absurd.
     The movie puts corrupt profiteers on display, but little emotional depth is created to feel against them and their actions or to feel for what Michael Murphy and his family are going through.  Gary Oldman's Dr. Norton is supposed to be our loose moral compass but we never really connect with him either.  And Samuel Jackson's Pat Novak, a satire of cable personalities purporting to represent the news, falls flat just as his Nick Fury does in all the Marvel movies, particularly in The Avengers.
     The film as a whole left us feeling nothing, which may follow along with their robotic theme but does little to make it a worthwhile experience, the fault probably falling on the directing and writing.  To that end, the Director has no significant prior films, 4 of his last 6 being documentaries, which makes him an odd selection to helm a movie that could have potentially launched a lucrative new franchise for the studio.  Likewise, the Writer has no other credits whatsoever that I can find, other than some uncredited rewrites and unproduced scripts.  Though, to be fair, the Director supposedly said that this was the worst experience of his life and that the studio was meddling every step of the way so, perhaps, the blame falls there.  Either way, Robocop is still worth skipping.

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