TAKE 1: One Man’s Opinion
…because
film is largely subjective
by Frederick William Springer
III
Hotel Transylvania
Release Date: 28 September 2012 Runtime: 91 Minutes
Review Date: 6 January 2013 Rating: 2.5 (of 6)
Hotel Transylvania? More like “Hotel Transyl-Big-Pile-Of-Shit.” Traditionally, movies have a hook in the
first couple of minutes to “hook” you into wanting to sit through the rest of
the film. Had I been watching at home
rather than the theater, I would have shut it off in that time. Right from the start, they begin with cheesy
jokes that aren’t funny whatsoever, unless maybe if you’re a 2-year-old (though
I shouldn’t insult a 2-year-old’s intelligence), particularly starting with a
lame reworking of a nursery rhyme.
Pulling you right
out of the story from the get-go, Dracula sounds like Adam Sandler with a
Transylvanian accent. I didn’t know what
misguided casting that was--why would anyone want to sound like Adam Sandler
doing a Transylvanian accent? But then,
low and behold, when the credits roll we see it actually was Adam Sandler (who
also Executive Produced). Adam Sandler
as Dracula does not work on any level other than horrific, which is something
you would normally aim for in a Halloween movie, but not in this manner.
Furthermore, the
plot to the movie is all screwed up. The
hotel is supposed to be a sanctuary for monsters, where they can escape their
normal lives, particularly the main characters coming for Dracula’s daughter
Mavis’s annual birthday party. The
monsters don’t live at the hotel, they’re visiting, yet somehow they are all
oblivious as to how modern humans act in present day. Are they literally living under some rock
when not at the hotel? Their
cluelessness would be understandable if they all lived at the hotel year round,
but that isn’t the case.
The number of
times I laughed during this movie: 0.
The amount I cracked a smile: 1. The
only thing I did find amusing was that the end credits have a traditional 2D
animated sequence. But that’s just me, a
personal thing, I happen to like when movies have animated credit sequences.
I would not
recommend this movie to anyone—not to horror fans, not to comedy fans and not
to kids. As I said, maybe it’ll get a
few laughs from kids but, as Pixar has repeatedly demonstrated, it is possible
to make computer animated films that are enjoyable to children and adults
alike. Save your time and money on this
one. And do yourself a favor—tear out
your eyeballs before ever contemplating seeing the sequel currently slated for
2015.
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